For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

菲利普•斯塔德曼是伦敦大学学院城市与建筑形式学教授。他接受过建筑学教育，曾在剑桥大学及英国开放大学任教。他曾出版几本有关建筑当中的几何形式和计算机辅助设计的书籍。在20世纪60年代，他编辑并出版了《形式》[Form ]杂志，这是一份艺术季刊；他还和其他作者合作出版了一本有关动态艺术的书籍。1989年，他帮助伦敦的一个展览制作了四部有关列奥纳多•达•芬奇作品的数码动画。他也曾参与其他有关透视几何与艺术史的展览、电影与书籍制作。《维米尔的暗箱》是斯塔德曼对维米尔这位荷兰艺术家长达20年的痴迷的成果。

Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photogr...(展开全部)

Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photogr...(展开全部)

菲利普•斯塔德曼是伦敦大学学院城市与建筑形式学教授。他接受过建筑学教育，曾在剑桥大学及英国开放大学任教。他曾出版几本有关建筑当中的几何形式和计算机辅助设计的书籍。在20世纪60年代，他编辑并出版了《形式》[Form ]杂志，这是一份艺术季刊；他还和其他作者合作出版了一本有关动态艺术的书籍。1989年，他帮助伦敦的一个展览制作了四部有关列奥纳多•达•芬奇作品的数码动画。他也曾参与其他有关透视几何与艺术史的展览、电影与书籍制作。《维米尔的暗箱》是斯塔德曼对维米尔这位荷兰艺术家长达20年的痴迷的成果。

We have a problem with Stuff. With just 5 percent of the world’s population, we’re consuming 30 percent of the world’s resources and creating 30 percent of the world’s waste. If everyone consumed at U.S. rates, we would need three to five planets! This alarming fact drove Annie Leonard to create the Internet film sensation The Story of Stuff, which has been viewed over 10 mill...(展开全部)

We have a problem with Stuff. With just 5 percent of the world’s population, we’re consuming 30 percent of the world’s resources and creating 30 percent of the world’s waste. If everyone consumed at U.S. rates, we would need three to five planets! This alarming fact drove Annie Leonard to create the Internet film sensation The Story of Stuff, which has been viewed over 10 mill...(展开全部)

For 3,000 years, the woman known as Helen of Troy has been both the ideal symbol of beauty and a reminder of the terrible power beauty can wield.In her search for the identity behind this mythic figure, acclaimed historian Bettany Hughes uses Homer’s account of Helen’s life to frame her own investigation. Tracing the cultural impact that Helen has had on both the ancient world ...(展开全部)